M I C H I G A N - S C H O O L - B A N D - & - O R C H E S T R A - A S S O C I A T I O N
 

Barton Polot
is Assistant Professor of Music Education and Music Technology at the University of Michigan

 

Band-In-A-Box Plays On

BARTON POLOT

The first time you see Band-In-A-Box — usually on a friend's computer — you are struck by the elegance of it all. Simply type in the chord symbols, and the application generates a full accompaniment. A hip and musical combo, emanating from a MIDI synthesizer or the computer's internal sound card, lays down chorus after chorus of swing, samba, salsa — you name it. If you're like many musicians, you now feel compelled to purchase your first computer — just so you can run Band-In-A-Box. 

PG Music's Band-In-A-Box has little competition and no peers among computer-based applications. It is compatible with practically every computer (Macintosh, Windows and Atari) and practically every multitimbral synthesizer. The price ($69 retail) is one of the best bargains in music, and it comes packaged with a veritable fakebook of songs and styles. 

The recent release of version 6.0 prompted a fresh critical look at Band-In-A-Box. It quickly becomes clear that each successive upgrade has been grafted onto the previous version, with no overall master design. 

The main window of Band-In-A-Box is as cluttered as a flight cockpit. Eschewing the palettes and tool bars of today's current software, Band-In-A-Box instead squeezes all its features on one small screen. Employing little color and no organizational sense, the main window is a disarray. The menu bar is worse, with a whopping twelve menus; compare this to powerhouses like PageMaker or PhotoShop with just seven. Among the twelve menus are two called Style (oops, sorry, one is called STY) which function almost identically. Some menus are swollen with more than forty items. 

First-time users will probably have little trouble focusing on the central task: keying in the chords of a favorite song. Here, Band-In-A-Box still excels, with a vast vocabulary of chords and a simple typing scheme. For example, an E-flat dominant 9th chord with a flatted fifth is simply typed eb9b5. You never need the shift key for any chord symbol (type 3 instead of #, for example). After entering all the chords, click the Play button. Within moments, your synthesizer plays an eight-beat count-off, followed by some surprisingly musical accompaniment. You can record the melody using your MIDI keyboard, and then print out a full lead sheet. 

Band-In-A-Box allows you to enter fills, metric and stylistic changes, and codas. Version 6 can create a two-bar ending automatically, a feature that has been available on battery-operated keyboards for a decade. The software still does not create an automatic introduction. 

Creating your own styles is possible, but is not for the faint of heart. The StyleMaker window is arcane, and the manual is little help. 

Still, Band-In-A-Box represents a breakthough for teachers who need to create accompaniments for their students. Simply create a set of chords, then make an audio cassette of the accompaniment in different tempos. Or different keys. Or different styles. Be it a recent pop tune, a jazz improvisation vehicle, or the daily scale regimen, your students need never practice unaccompanied again.

 

Note: Since this article appeared in November 1995, PG Music has released version 9 of Band-In-A-Box.